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Doom Singer

by Chris Farren

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PMAN, Axe Murderer
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PMAN, Axe Murderer chris farren doom singer Favorite track: Cosmic Leash.
jennegatron
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jennegatron immediately shot up the rankings and is my front runner for album of the year. an absolute gem of a record. Favorite track: Cosmic Leash.
Dan
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Dan ANOTHER PERFECT RECORD FROM CHRIS FARREN. And honestly, it’s his best yet. Just straight bangers, wall-to-wall and front-to-back. APPLAUSE! Favorite track: Cosmic Leash.
ollie gn
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ollie gn There is so much new good music out there, new Palehound, new Blur, but it's 4 days in and I can't hear nothing but this album. DAMN YOU, CHRIS!!!! Favorite track: Only U.
rat
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rat He's done it again folks, ANOTHER PERFECT ALBUM Favorite track: Cosmic Leash.
Kirk Gauthier
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Kirk Gauthier If finely-crafted indie power pop is your bag, baby, get ready to have your bag filled to the BRIM. This latest outing from Chris Farren is a sparkling diamond amongst an ocean of broken glass and shattered dreams. Every song is a breath of fresh air and an absolute blast. Don’t know how it can get any better than this. Favorite track: Cosmic Leash.
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1.
Bluish 03:11 video
I don’t remember how to do this, Sitting at a table with our friends And when the sky turns black and bluish i pretend we’re the only people here. I don’t belong anywhere without you on my arm. I try to fight but it’s been such a long night, I’m spinning out. I don’t know how ill make it thru this I can hold my breath for one more year And when my eyes go black and bluish I’ll pretend we’re the only people here. I don’t belong anywhere without you on my arm. I try to fight but it’s been such a long night, I’m spinning out. You saved me from a life lived under rubble Of everything that I’ve ever done wrong I don’t belong anywhere without you on my arm. I try to fight but it’s been such a long night, I’m spinning out. It’s been such a long night.
2.
All We Ever 03:13
I wanna own the things I rent, I wanna love my government, I want the money back I spent on the weekends I forget. I wanna fall asleep reading a book, I wanna be cool with the way I look, I wanna die before you die, I wanna love being alive. All we ever dreamed for was another yesterday, To just survive, that’s no reward. What I’d give to get away. I wanna get drunk with my friends And believe in God again, I want my life to mean something But my head can’t handle it. I wanna make my mother proud of me, I wanna call her back more frequently I wanna hold on to this time, Keep the ones I love alive. All we ever dreamed for was another yesterday, To just survive, that’s no reward. What I’d give to get away. The list goes on and on even when the day is done, As if no one ever told you “Don’t know what you got til it’s gone”. All we ever dreamed for was another yesterday, To just survive, that’s no reward. What I’d give to get away.
3.
Get Over U 02:58
My idea for a movie: Everything turns out great for me. There’s no discomfort or conflict, And every door swings wide open for me. Because the reasons are fleeting. Did you abandon me? Did I pull away? I just can’t figure it out, so please don’t make me choose. What if I never get over you? Why am I falling to pieces? What if you’re always creeping in the back of my head? This type of praying is useless, But I’m too terrified to say it to you. So let’s just pick a new topic but please don’t make me choose. What if I never get over you? Why am I falling to pieces? What if you’re always creeping in the back of my head? And every little possible inconvenience? It makes me wanna cry! The engagement rings, now you’re having babies!?! And that’s great for you guys. What if I never get over you? Why am I falling to pieces? What if you’re always creeping in the back of my head?
4.
Only U 04:01
Dreaming out the window with your headphones on, Tryna find a feeling but the file’s gone, Keep pushing up the precipice to Babylon And clear your history. Cuz the coulda shoulda woulda is the beating heart Of the hazy daze you get in when the sky gets dark When the clouds go gray and the good times roll away. It’s you who I remember on my last day alive. When life flashes before my eyes I hope the clips are all of you and I Cuz only you can get me through this life. Dragging my dumb ass all over Eagle Rock I’ve lived here for awhile but I still get lost You said you saw me walking like an astronaut, Fighting with gravity. My brain is better off in someone else’s head Cuz I get so dramatic when I feel like shit When the clouds go gray, let the good times roll away. It’s you who I remember on my last day alive. When life flashes before my eyes I hope the clips are all of you and I Cuz only you can get me through. Zooming out too far again, throw Atlas off his axis Cuz the universe is way too big! Let’s shrink it down a little bit! The earth is doing pirouettes while I’m just feeling sorry for myself. It’s you who I remember on my last day alive. When life flashes before my eyes I hope the clips are all of you and I Cuz only you can get me through Cuz only you can get me through this life. When the clouds go gray let the good times roll away.
5.
Doom Singer 03:19
I turn on the charm sometimes, even when I wanna die, it’s true. (A smile to hide behind to get me through.) Another sunny day practicing my happy face in my room. (Cuz it’s joy I feel, it’s joy I swear, it’s not doom!) I love to hear the people talking about all the shit that they know nothing about And writing all their little words, as if those words have any worth when the sun comes down And burns us all alive. And during the wedding bells, our friends and family stand and turn to welcome you, (It was then I realized you would die too) Oh what a dark thought to have, but it didn’t make me sad, It was then I realized how much I love (you) I love to hear the people talking about all the shit that they know nothing about And writing all their little words, as if those words have any worth when the sun comes down And burns us all alive. It’s all for nothing and it’s nothing new, so kiss your friends in the afternoon, You’ll be having a blast when the screen cuts to black. I love to hear myself just ramble about all the shit that I know nothing about And writing down my little words as if my words have any worth When the sun comes down When the waters rise When the asteroids hit the city center And the food runs out and leaves us helpless And the killer bees And the World War 3’s, WMD’s, Every day a new disease!
6.
Screensaver 02:44
Staring at my new screensaver, Wonder if I’ll ever come down. Wouldn’t it be nice to be loved by you Oh please don’t make me wait too long. If I never try I’ll never be rejected, Oh yeah! If I never try I’ll never be rejected, Alright! Stuck in someone else’s time loop, I wonder if I’ll ever get home. Does anybody feel like I do? Oh please don’t make me do this alone. If I never try I’ll never be rejected, Oh yeah! If I never try I’ll never be rejected, Alright! I can still hear the grind of your dreams crushed under mine, All the wants and the needs all get lost in between the glow of your light. If I never try I’ll never be rejected, Oh yeah! If I never try I’ll never be rejected, Alright! I can still hear the grind of your dreams crushed under mine, All the wants and the needs all get lost in between the glow of your light.
7.
I’ve been doing the bare minimum yet somehow it’s still not enough. What made you fall in love with me in the first place? Am I different now? Love me through the end of time. Who knows how much longer we have? What made you fall in love with me in the first place? Am I different now? What made you fall in love with me in the first place? Is it over now? I can’t come with the overbearing symphony at my window all night. Same song I’ve sang for all my life, take a bow and drop the mic. What made you fall in love with me in the first place? Am I different now? What made you fall in love with me in the first place? Is it over now?
8.
My Beauty 02:20
I don’t want a lot, just give me a little, Enough to keep my calm. Did I spend too many nights in the middle, Jealous of the storm? Give it a rest, my beauty keeps fading, The brightest light nobody can see! Give it a rest, it’s so suffocating. Run, run, runnin’ down, I’m running back to the dream. I don’t want a lot, just give me a million hundred thousand more. Sever the ties with all my familiars, I’m rotten to my core. C’mon! Give it a rest, my beauty keeps fading, The brightest light nobody can see! Give it a rest, it’s so suffocating. Run, run, runnin’ down, I’m running back to the dream. You never really seem that happy, I never try to change your mind, Run run runnin’ in and out of time. Give it a rest, my beauty keeps fading, The brightest light nobody can see! Give it a rest, it’s so suffocating. Run, run, runnin’ down, Give it a rest, my beauty keeps fading, The brightest light nobody can see! Give it a rest, it’s so suffocating. Run, run, runnin’ down, Run, run, runnin’ down, Run, run, runnin’ down, I’m running back to the dream.
9.
You are just a footnote in a long book that I know I’ll never read Was I lost from the moment that we met or did you get in my head once again? Change your heart, wait your turn. I need more time with you. I’ll fight through the low low to the highest point that I could ever reach. And when I’m gone you’ll be lonely at the top, you’ll be waiting for the drop to come. Change your heart, wait your turn. I need more time with you. Change your heart, wait your turn. I need more time with you. The cosmic leash, the lava flow, my body bursting like a volcano. It’s rushing back, back to me. The time release, the afterglow, I wanna glitch out of the world I know. I love to reap! I hate to sow :( Change your heart, wait your turn. I need more time with you. Change your heart, wait your turn. I need more time with you. The cosmic leash, the lava flow, my body bursting like a volcano. It’s rushing back, back to me.
10.
Statue Song 04:34
You carved me out of stone, for 30 years you worked alone. You wore your fingers to the bone You left you left your wife, you left your home. You spent the first year on my face, A gift to God in outer space. And at the end of every day you packed your tools in your briefcase But I had to stay. Oh what I wouldn’t give to be that small, To chase the rushing river to the water fall. And since the scaffolding came down the tourists come from every town. They take their pictures and move on through the gift shop and beyond. Oh what I wouldn’t give to be that small, to chase the rushing river to the waterfall. Oh what I wouldn’t give to be that small, When the earth begins to shake I sway along. You’ve been gone for years now, Did you find a new frontier out there? My features are eroding without someone devoted to me. They just marvel at me. Oh what I wouldn’t give to be that small, to chase the rushing river to the waterfall. Oh what I wouldn’t give to be that small, When the earth begins to shake I sway along.

about

Ask Chris Farren how he feels when he finishes an album and he won’t hesitate to respond with: “Miserable. Miserable. Miserable.”

At least, that’s how it’s been over the years he’s been writing and recording solo. When the time came to make a record, Farren would be overtaken by an unparalleled anxiety, forcing him into the home studio he describes as “barely bigger than a closet,” where he agonized over the minute details of his work in progress. “Looking back on those records… I have no good memories of making them,” he admits. “It’s always been a lonely, doubt-ridden process.”

It’s surprising to hear this, knowing Farren’s reputation as a prolific songwriter who made his name recording with Jeff Rosenstock in Antarctigo Vespucci and before that, the Floridian punk band Fake Problems. In 2014, Farren started releasing music under his own name all while continuing his project alongside Rosenstock, and his first album, Like a Gift From God or Whatever endeared him to fans of the now-defunct Fake Problems and new listeners who had yet to experience the delight of a new Chris Farren song. Like a Gift From God or Whatever was followed by Can’t Die and Farren’s Polyvinyl debut, Born Hot.  Last year, Farren wrote what he describes as a soundtrack to a spy film he invented that will never be committed to film. Inspired by Marvin Gaye’s soundtrack to Trouble Man, Death Don’t Wait (Original Motion Picture Soundtrack) was a creative exercise, one Farren completed in mere months that stands apart from the extensive, at times arduous, process of making a Chris Farren album.

After releasing Born Hot in 2019, Farren knew he needed to make changes to the creative process, but he wasn’t yet sure how to. Enter Frankie Impastato, drummer of Macseal, who Farren met on tour and who became one of his dearest friends and confidants. He told Impastato about the misery, the barely-bigger-than-a-closet studio, the barren memory chest, and together they hatched a plan: they’d make Farren’s next album together. So, Farren got in touch with multi-instrumentalist/producer, and Jay Som mastermind, Melina Duterte (also, a Polyvinyl labelmate), who invited him by her studio where she’s collaborated with a steady stream of notable artists since first opening it in 2020. That’s where Doom Singer, his new full-length album due out August 4th, would be made.

“Looking back, I feel bad, because Melina brought me in to show me her space and was describing the gear to me and I was totally checked out,” Farren says. “I mean, the space is amazing, she’s super talented, but I told her: ‘I don’t care about any of this stuff. I just want to make a record with you and have fun. I want to make a record and have a good time.’”

Collaboration not only untethered Farren from his misery (fun was had) but also his overbearing need to control every aspect of the creative process. While on previous albums like 2019’s Born Hot or 2016’s Can’t Die Farren might’ve spent hours on end tweaking a single canned drumbeat, Impastato’s live drums offer a spontaneity that breathed new dimensionality into the Chris Farren project. He wanted this new effort to be “bombastic,” to sound like it could fill the immense negative space of an arena. “I wanted to open these songs up, make them less frenetic, and not feel the pressure to cram every moment,” he says. You hear that impulse on lead single “Cosmic Leash,” which opens with a wall of sound that careens to a halt, as Farren delivers his interlude over the slight strumming of a guitar. That sense of reprieve lasts only a moment, before the enormous chorus shreds through the silence as Farren wails: “Change your heart/ Wait your turn.”

The choruses on Doom Singer are all like this, huge, cathartic, catchy as hell, and inspired by what Farren describes as the “sixties-tinged girl group vibe, not retro, but playful” employed by Belle and Sebastian. “First Place” is a shining example, a song Farren describes as being about worrying you might grow apart from your partner and, “Not being able to cum because of Lexapro.” It’s hard to describe the single as anything but “jaunty,” the buoyancy of Farren’s delivery belying any sense of disquiet humming beneath its surface.

Farren says Doom Singer communicates an “optimistic nihilism,” and that lyrically, he’s trying to embrace nuances inspired by films like TÁR and I’m Thinking of Ending Things. “In these movies, the truth of the narrative isn’t handed to you, and it’s not easy to figure out where your sympathies should lie,” he says. Against certainty, Doom Singer opens with a confession. “I don’t remember how to do this,” Farren croons on “Bluish,” admitting to feeling codependent in his marriage, worried he is too much to manage, that his neuroses might disrupt a delicate domestic balance. It was the first song he wrote for the album and the one that determined its narrative course. We’re made to believe aging makes you wiser, but as Farren has grown into the prodigious songwriter you hear on Doom Singer, he’s only grown less certain. “I’m constantly processing the way I feel about things, and I didn’t want any of these songs to sound sure of themselves, or to communicate any clear message,” he says.

Citing My Bloody Valentine, TV on the Radio, and Camera Obscura as clear influences, Farren says he can’t listen to much music until it’s time to make a new record, but when it’s time, he submerges himself in music that moves him. “I wrote between fifty and eighty songs for this album,” he says. The final cut is as genuine, empathetic, and of course, funny, as Farren is, and though he claims nihilistic tendencies, it’s the dogged optimism that endures. On “All We Ever,” Farren compiles a list of things he wants (to stop paying rent, to love the government, to get drunk with friends) that accumulate into a three-minute reminder that no life is ever pristine, that there will always be wants unfulfilled, and that that’s okay.

“There will be struggle in everything. I’ll always be fighting with myself, and I need to find a certain peace with that,” he says, but on Doom Singer, Farren rejects closure, and he’s still seeking that sense of peace. Maybe we all are, whether we’re bold enough to sing about it or not.

credits

released August 4, 2023

All songs written by Chris Farren and Frankie Impastato, except “Only U” written by Chris Farren, Frankie Impastato and Celeste Taucher.
Produced, engineered and mixed by Melina Duterte in Atwater Village, CA.
Additional recording by Chris Farren at Wave 42.
Mastered by Jack Shirley at Atomic Garden in Oakland, CA.
Frankie Impastato played drums on every song. She also sings on “Bluish”, “My Beauty” and “Only U”.
Jeff Rosenstock played bass on “All We Ever”, “Get Over U” and “Screen Saver”, and saxophone on “Doom Singer” and “First Place”.
Melina Duterte played bass on “Only U” and “Statue Song” and sang on ”All We Ever”.
Mia Mazzaferro did group vocals with Melina, Frankie and Chris.
Album art and design by Chris Farren.

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